Hence why is you take a look at the scales above, each note is the enharmonic equivalent of each other, so if you played a C# major scale out of context, it would be completely impossible to determine whether it was C# or Db.įor example, in a key with flattened notes, then you’ll (normally) be playing a Db if you need to use that note, but in a key with sharps, then it’ll (normally) be a C#. Sort of… Technically a C# and a Db are exactly the same, they just appear in different contexts. You may have noticed that we’re looking at two scales here. On a guitar, the 1/2 means the next fret is in the scale, and the 1 means there will be a fret in between the two notes. On a piano, the ‘1’ means that if you’re starting on the C, then there will be one note (Db in this case) between your C and the next note of the scale (D), while the 1/2 means that the next note of the scale is directly next door (such as in the move from E-F in C major). Every major scale has the same theory behind it, building on a pattern of tones between the notes: 1-1-1/2-1-1-1-1/2.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |